Millinery shaped how I think.

Before I led teams, managed international suppliers, or developed commercial product ranges, I learned to solve problems through craftsmanship. Millinery demanded patience, precision, material knowledge, and the understanding that exceptional outcomes are built one considered decision at a time.

My practice spans bridal, couture, and racewear, where every commission required technical rigour, creative judgement, and an uncompromising attention to detail. Working by hand developed an instinct for process that has remained constant throughout my career, influencing everything from product development and manufacturing to leadership and strategic decision-making.

Growing up in Hong Kong, living in France, and travelling extensively fostered a deep appreciation for the cultural significance of dress and adornment. These experiences continue to inform my work, combining traditional craftsmanship with a global perspective on materials, technique, and design.

I have collaborated with leading Australian fashion houses including Scanlan Theodore, Mariana Hardwick, Luci Di Bella, and Raffaele Ciuca, while also creating bespoke commissions for private clients. Alongside industry practice, I have lectured in millinery at the Lyceum Club and RMIT University, sharing both technical knowledge and the discipline of craft with the next generation of designers.

Millinery remains the foundation of how I approach every challenge. It taught me that excellence is never accidental; it is achieved through curiosity, discipline, and thousands of deliberate decisions. Whether creating a handcrafted headpiece or leading complex commercial projects, those principles remain unchanged.